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Showing posts from May, 2021
 Explore how the set editions of woman and Adbusters appeal to their audiences. audiences are appealed to by codes and conventions of the magazine genre or category, e.g similarities or differences  Adbusters targets their audience by not appealing to gender- stereotypes. they target audiences with similar values, morals, ideals and of similar class (middle class) instead of gender, as seen by the androgynous model on the double page spread.  the set texts Adbusters and woman are different in the ways they appeal and target their preferred audience.

Adbusters + woman revision

What is the dominant ideological perspective of Adbusters? What is the ideology/ethos of Adbusters?- anarchist, anti-capitalism and anti-consumerist culture. reject social h How does Adbusters subvert traditional magazine conventions, especially in relation to advertising? How does the magazine interact with its audience? front cover- very little text, unconventional, hard to identify as a magazine. does have some conventions on the side but in smaller print. women magazine voyeristic scene in the max factor advert, implying women are to be looked at, spectacles for men. the makeup is whats making her appear attractive. conservative magazine, very boring for the time (socio-economical context). done to keep and maintain a dedicated audience to make money. Alfred hitchcock interview, refers to women as similar to inanimate objects furter reinforces and literally objectifies women. says theyre "magic' because they are passive and polite, suggesting he finds the opposite (an act
To what extent do representations of gender reflect the socioeconomic context of the TV shows you have studied? Make reference to Humans and Les Revenants  both les revenants and humans, representation of gender are constructed to reflect the socioeconomic contexts of the time.  les revenants social context- traditional gender roles have been mostly dispersed at the time of the show. a good example is lena walking  economic context- France was booming in the economy at the time of the shows release. Humans social context- nuclear family, typical and traditional in the uk, becoming less so. the Hawkins family reinforce this idea even though it is set in modern Britain. stereotypical mum and dad, however at first we see the gender roles are reversed as Laura is a lawyer who is working overtime and Joe is at home looking after the children. this is subverting gender roles, which reflects the shift in gender roles in greater society at the time of the show. Judith butlers gender perfomi

Riptide practise

 Consider how the combination of elements of media language influences meaning and intertextuality is polysemic makes intertextual references to film genre e.g. horror films seen by the use of darker lighting, iconography such as the ouija board and woman singing with her ruined makeup and blood (symbolic code for danger, creates meaning). cowboy genre- American western films. dream like sequence as things don't make sense in the way they're put together. intertextual references to occult practices e.g ouija and tarot cards. short fast paced editing that follow the lyrics, very literal interpretations can make it stand out from other music videos that are often more poetic and have one narrative that moves along. makes lots or differences to films. doesn't give the audience time to process and understand the meaning as if they don't want us to understand. mismatch of videos and meaning  sexualisation of women + damsel in distress character. parodying genres and film con

comparing les revenants and humans.

WHAT MEDIA LANGUAGE IS ASSOCIATED WITH THIS PRODUCT? AND HOW DOES IT CREATE MULTIPLE MEANINGS? purpose of media language plysemy and multiple meanings challenge ideology of humans encoding and  decoding of meanings  target audience key scenes intro to les revenants "camille" we dont know who she is- unconventional wide establishing shot, panning up to the alps, foreign setting sombre music before bus crash see girls face cammile, she is the protagonist as we follow her but then she dies within the first few minutes, is unconventional. relateable to many audiences as most children go on school trips hermeneutic code horror conventions as poeple scream and starts with death. static shot away from the action is unconventional, as many fast paced editing follows the action as death is extreme nd i this case chaotic. confusing with the titles/ captions. "aujourd'hui" dosent give much referance to when the first scene happened if it wasnt present day. intense non-diag